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Scouts in Maine

On this day, 150 years ago, the historic Granite Hall theatre in Augusta, Maine, hosted an iconic event that would leave an indelible mark on the American cultural landscape. The performance of "The Scouts of the Plains" brought together three of the most emblematic figures of the American West: Buffalo Bill Cody, Texas Jack Omohundro, and Wild Bill Hickok. For audiences who braved the winter weather to make it to Granite Hall that night, the show would leave a lasting impression.



Augusta, Main's state capital, is a city steeped in history and charm. Established in 1629, it sits along the Kennebec River, offering picturesque views and a rich historical tapestry. By the time "The Scouts of the Plains" was performed there by Buffalo Bill, Texas Jack, and Wild Bill, Augusta was a burgeoning hub of politics, commerce, and culture in Maine, making it an ideal stop for traveling shows and performances. Granite Hall, where the Scouts played in Augusta, was a pivotal cultural and entertainment venue from the moment its doors opened in 1866. The theatre experienced a series of rebirths and transformations, enduring fires and reconstructions, before its eventual demolition in 1983.


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February in Maine is known for its harsh winter weather, and 1874 was no exception. Historical records suggest that the winter of 1873-1874 was particularly severe across the Northeast, including Maine. The performers and the audience would have braved cold temperatures and snow to attend the show at Granite Hall, a testament to the draw of the Scouts and the resilience of the people of Augusta.


The three western heroes that stood on the stage that night would shape American popular culture and the way that the world viewed the American West. William Frederick "Buffalo Bill" Cody was more than just a showman; he was the embodiment of the American frontier. Before gaining fame on the stage, Cody worked as a soldier, bison hunter, and scout. His experiences across the Great Plains of the United States formed the backbone of his performances, captivating audiences with tales and reenactments of life in the West. After the death of Texas Jack in 1880, Cody would go on to establish Buffalo Bill's Wild West, which toured the United States and Europe, playing a pivotal role in shaping the global image of the American West.


John Baker "Texas Jack" Omohundro was another figure whose life story reads like a frontier novel. A Confederate cavalry soldier and spy during the Civil War, he became a cowboy, scout, and hunter out West after the war. His friendship with Buffalo Bill and Wild Bill Hickok led to their collaboration on stage. Texas Jack's authentic portrayal of a cowboy turned his old profession into the central figure of American folklore and the mythology of the West.


James Butler "Wild Bill" Hickok, famed for his skills as a gunslinger and lawman, brought an aura of danger and excitement to "The Scouts of the Plains." Hickok's reputation, built on his exploits in gunfights and as a marshal in the lawless towns of the West, fascinated audiences. His participation in the show added an element of authenticity and thrill, embodying the perilous and unpredictable life on the frontier.


Wild Bill Hickok (second from left), Buffalo Bill Cody (center), and Texas Jack Omohundro (second from right).

The performance of "The Scouts of the Plains" in Augusta and similar shows across the country played a significant role in shaping the American perception of the West. Through their dramatized accounts of life on the frontier, Buffalo Bill, Texas Jack, and Wild Bill contributed to a mythology that romanticized the West as a place of adventure, heroism, and untamed beauty. This portrayal influenced generations of Americans and still impacts our cultural and historical understanding of the American West today.


As we commemorate the 150th anniversary of their Scouts of the Plains tour, we not only celebrate the legacy of three men who lived extraordinary lives but also acknowledge the enduring power of storytelling in shaping our collective memory and identity. The performance in Augusta, Maine, on a cold February night in 1874, remains a testament to the allure of the American West and its lasting imprint on the American psyche.



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